Holly Hunt's Gavin Perry is quite the antithesis of the archetypal "guitar hero." But Perry's approach to the instrument, as a coconspirator in creating the crushing sonic monolith that is Holly Hunt's sound, undoubtedly qualifies him as an hero of sorts.
With the unchecked proliferation of sludge, stoner, and doom-metal bands that have spawned in recent years, Holly Hunt is an anomaly in that the duo (Perry plays with his partner Beatriz Monteavaro) has developed an extremely original sound without the assistance of vocals or even a bass player. Thanks in no small part to Perry's sludge/psych guitar style, Holly Hunt's music is as imposing as it is intriguing: A pummeling, repetitious assault of texture and color, delivered with gloriously unbridled volume.
As anyone who has ever experienced the cocktail of fear and excitement provoked by staring down Perry's wall of amplified death in the flesh can attest, the band's sound relies heavily on some rather unique kit. Perry has painstakingly curated his setup through years of experimentation and Ebay crawling to bring the sounds in his head to wall-shaking reality.