Backstage in South Florida: Ex Norwegian Takes the Next Step -- Free Music

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Music vet and New Times scribe Lee Zimmerman shares observations, insights and updates relating to South Florida's musical environs. This week, Roger Houdaille gives the music away for free and accepts no guarantees.

I'm an unabashed fan of Ex Norwegian, mostly due to my fondness for their music (of course!), but also because I love to make jokes about their name. What's the significance of an ex-Norwegian, I've asked them time and time again without getting any kind of serious response. And yet, if that seems like a strange handle, it sure beats the one they started out with early on, that being "Father Bloopy." Consequently, I saw the shift in identification as a sign of progress, if not necessarily a means of further clarification.

Nevertheless, my commentary detailing their name is getting old already, so it's fortunate that there's a new Ex Norwegian album, entitled House Music, to focus on instead. Even so, this isn't any ordinary album, at least in the traditional sense. For starters, the band plan to put it out online for free, a decidedly unorthodox tack to be sure, but one strategized to bring them wider exposure. Consequently, I asked Roger Houdaille, the band's chief musical mainstay, what his rationale was for literally giving it away.

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Backstage in South Florida: Are Aging Rockers Still Relevant?

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Mick's looking craggy lately, but he's still one cool dude!
Music vet and New Times scribe Lee Zimmerman offers his insights, opinions, and observations about the local scene. This week: Senior citizens and rock realities.

Many people would have you believe that advanced age and rock 'n' roll are simply not in sync. That's understandable really, given the fact that rock, especially in its earliest incarnations, was always a young person's game. For its first couple of decades, it was a sound synonymous with rebellion and defiance of society. And for as long as I can remember, at least, those causes have always been those of the youthful, whose innate intention is to reject parental values and strike out in directions of their own choosing.


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Backstage in South Florida: StagePage, an App Appropriate for a Concert Crowd

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Sayre Berman
Look, even Pitbull's psyched you can make a collage out of him on this new app. Dale! 
Music vet and New Times scribe Lee Zimmerman shares stories of memorable rock 'n' roll encounters that took place in our local environs. This week: A new way to make memories.

I have to admit, I'm not always comfortable with new technology. Anyone who's seen me scream in frustration when I get an error message on my computer or I'm asked to create a spreadsheet of some sort can attest to that. Hell, it seems like only yesterday I was printing out pages from my nifty word processor and squeezing a tape into the old eight-track player. And when I learned that my cell phone could actually take pictures... Well, my gosh, the dawn of a new age had truly arrived for me. (Never mind that it's come kind of late.)


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Backstage in South Florida: Self-Destructive Superstars

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Courtesy of Wikipedia
The irrepressible Keith Moon.
Music vet and New Times scribe Lee Zimmerman offers his insights, opinions, and observations about the local scene. 

This week: Rockers who are seemingly determined to do themselves in.

It seems to me that self-destruction is a fairly common phenomenon in modern music. Forget the fact that drink and drugs have led to many a musician's downhill spiral. Listing all those who have succumbed to those vices would be an endless task. On the other hand, here's my list of artists whose personal demons simply got the best of them.


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Backstage in South Florida: Photos, Lost but Not Forgotten

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"Gram of "Hash" front and center... to his left, "Buddy Bear"... and behind him, ME! (with 'stache)

Music vet and New Times scribe Lee Zimmerman shares observations, insights and updates relating to South Florida's musical environs. This week, a Facebook chain recaptures my past.

I recently got sucked into one of those Facebook chains where it seems everybody and their sister gets tagged on a subject that each of them feels compelled to comment about. I say "sucked in," because I find once I've added my two cents, I began to receive many more tags, and over the course of the next several days, my attention is diverted to ongoing commentary about what was, in effect, a really mundane series of subjects.


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Backstage in South Florida: the Radio Roller Coaster

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Music vet and
New Times scribe Lee Zimmerman offers his insights, opinions, and observations about the local scene. This week: the story behind DJ migrations.

In the world of radio, anything can happen, even at a moment's notice. The news that DJ Laz, a radio institution in South Florida for well over two decades, had suddenly parted company with Power 96 came as a shock to longtime listeners this past week. Likewise, the unexpected departure of morning staple Donna Davis from oldies station Majic 102.7 a few months back was equally surprising, considering how she had become a well-known morning voice in our market. A few months ago, Coast 97.3 made a similar move, removing the popular Tamara G from the Two Girls in the Morning program, where she had been a fixture for several years. The reasons for these changes aren't altogether clear. DJ Laz has remained tight-lipped about his leaving, merely saying in a statement that it was his decision and he wished his former station well. Davis' scenario allegedly had something to do with new management at Majic and a reshuffling of more than a dozen positions. (Indeed, both the station's program director and promotion director also left at nearly the same time.)

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Backstage in South Florida: Glee, Smash, and Tips From Pros on Being a Success Onstage

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Music vet and
New Times scribe Lee Zimmerman offers his insights, opinions, and observations about the local scene. This week: Four local theater pros weigh in on Glee, Smash, and the burgeoning popularity of theater.

Anyone who's been here for even a little while knows that there's more to the South Florida music scene than our local rockers and rappers. I can attest to that personally, having spent a number of years working at the late, lamented Coconut Grove Playhouse. Our local theater professionals are second to none, as evidenced by the multitude of exceptional stage productions available for viewing on any given weekend. 

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Backstage in South Florida: Johnny Depp and Marilyn Manson, Two Expats, Team Up as a New Dynamic Duo

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Music vet and New Times scribe Lee Zimmerman shares observations, insights, and updates relating to South Florida's musical environs. This week, Johnny Depp and Marilyn Manson find vanity a common bond.

I get lots of missives from publicists and record companies on a weekly -- wait, make that a daily -- basis. I gotta admit, most of them I tend to ignore, causing me to hit the delete button as quickly as my fingers can make it happen. Not all the time, mind you -- if there's an announcement about an upcoming album that I'm eagerly anticipating (and yeah, there are a lot of those!) or a news release from a reliable source, I'll look and I'll linger. Then there are those updates that prove as entertaining as they are informative.

That was especially true of one particular news release I came across recently, mainly because it concerned a reunion of sorts between two South Florida homeboys. "It's not exactly the Bro-mance of Pitt and Clooney," the release began. "But there's been something special between Marilyn Manson and Johnny Depp for over a decade now."

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Backstage In South Florida: Native Florida Tap Room & Music Hall Offers South Florida's Coolest New Hangout

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Music vet and New Times scribe Lee Zimmerman offers his insights, opinions and observations about the local scene. This week: Kilmo conquers Hollywood
 

It's nice to see a new venue establish itself here in South Florida. After all, if there's one thing we lack, it's places for live bands and original music that eschews the usual cover band mentality that seems so prevalent, and indeed, so mandatory in most of the live musical settings that litter our landscape. While its name may lead to speculation, Hollywood's newly arrived gathering spot, Native Florida Tap Room & Music Hall (native, as in Native American? Tap, as in a brewery!), arrives with a good pedigree. Their website -- nativeflorida.net -- proclaims the following mission statement: 

"Owned and operated by musicians for music fans, Native Florida Tap Room & Music Hall presents live music by local and national artists performing blues, rock, jazz, punk, funk, folk, jams and more with concert quality sound and production."
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Backstage in South Florida: Goodbye, Davy; We Knew Ye Oh So Well

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Courtesy of Wikipedia
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Music vet and
New Times scribe Lee Zimmerman shares stories of memorable rock 'n' roll encounters that took place in our local environs. This week: Reflections on the makers of our memories... 

I confess that I was reticent at first to add my comments about the passing of Davy Jones, given the fact that so much had been written already by people more eloquent than I. 

And yet, in the days since his death, I find myself unable to shake the sadness that I felt when I realized that a man who was so much a part of my youth is no longer with us. My colleagues at work made it a point to stop by my office and remark, "I bet it's a tough day for you," expressing the sentiment with perhaps a small hint of sarcasm, given that my long shaggy hair, unabashed enthusiasm for rock 'n' roll and, most prominently, my place in a certain baby boomer demographic clearly makes me partial to all thing '60s... including age and era. 

So, I laughed off their remarks while conceding my sadness, chalking it up to the fact that when I was a kid, my friends often said I looked like Peter Tork, one of Davy's Monkee colleagues.
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