Basel 2013: Tegan & Sara (and Big Fans Puking in the Sand) at VH1 and Scope Party

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Photo by Ian Witlen

Tegan & Sara
VH1 and SCOPE's ART + MUSIC + BEACH Party
SCOPE Pavilion, Miami Beach
Friday, December 6, 2013

At 8 p.m., the massive oceanfront tent that houses one of the largest auxiliary fairs during Art Basel Miami Beach week, Scope, closed its doors for the night. Nearby, a long line formed to enter a fenced-off bit of sand. The beautiful people and their benefactors jockeyed for position to get inside the invitation-only VH1- and Scope-hosted event.

Once inside, they were greeted with a candy apple station. There was one table where you could buy tacos, another with sushi, sweepstakes to win a Fiat -- that would also get you on the car company's mailing list -- and a cash bar. The only aspects of the party that did not involve commerce were the luxurious bathrooms set up in trailers and the main attraction, Tegan & Sara.


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Basel 2013: Ghostface Killah, Raekwon, and Sheek Louch Turn Up Till Closing Time

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Photo by Marta Xochilt Perez

Ghostface Killah
With secret guest Raekwon
Plus Tha Lox's Sheek Louch
DJs Heron, Self Born, Klassik, and Exes
The Stage Miami
Friday, December 6, 2013

There were patdowns at the door. And a bouncer forewarned "tonight's a different crowd."

On Thursday, De La Soul's Maseo, Dave, and Pos did Art Basel Miami Beach 2013 at The Stage Miami. And it was all 'bout positive old-school vibes and that "real hip-hop."

But last night, Wu-Tang Clan's Ghostface Killah was up in the Design District's best club, looking to cause some Basel mayhem. Would there be violence, mutilation, riots?

Nope. Despite security's high-alert status, the club being a sweaty mob scene, and Ghost not going on till 2:43 a.m., there weren't any injuries. And the allegedly gangsta crowd got nothing but happy and high. And a full-show surprise cameo from Wu-Tang's Raekwon.


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Black Lips' Basel 2013 Pool Party: Naked Women, Vomit, and Fog Machines

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Photo by David Von Bader

Black Lips
Shore Club, Miami Beach
Thursday, December 5, 2013

It's fair to say that Art Basel Miami Beach has come under critical siege at times for its supposed devolution from world-class art festival to glorified party.

However, while plenty of people critiquing Basel are, in fact, too cool for even the coolest events and busy playing the role of the post-hip hipster, the fact of the matter is Basel takes place in Miami and Miami fucking parties.

While there is so much more to this city and its culture than partying, it is in the subtext of just about everything going on around here. And it is with that spirit in mind that Atlanta's Black Lips and Juxtapoz Magazine threw Basel 2013's penultimate rock 'n' roll gig -- a pool party at the Shore Club, complete with naked women, vomit, and fog machines.

See also: Basel 2013: Ten Free Weekend Parties

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Basel 2013: Kendrick Lamar Ruled, Kanye West Was a No-Show at Mana Wynwood

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Morgan Coleman
You were #1 last night, Kendrick.

Last night, I tweeted at Kanye West for the first time ever. Did I think he'd read the tweet? No, duh. But I did want to document that my feet hurt a lot, and that it was his fault entirely.

A substantial group gathered under the Flaunt magazine tent in Wynwood waiting for Kanye to arrive. The audience steadily melted, along with the mud on the totally naked performers' bodies. We -- nude ladies and black-clad crowd -- all ended up collapsing slowly to the floor with fatigue. Kanye was supposed to be the cherry on top of the dirt slathered, human sundae that was L.A. artist Vanessa Beecroft's performance. Sure, it wasn't billed that he was definitely attending, but there's no doubt he was the "special guest."

"For the love of Yeezus!" we silently screamed, "Show us some 'Mercy,' 'Ye!" But the whole night was certainly not ruined by the lack of a ramble about rappers making designer clothes (for the people who cannot afford them). Nope. About 20 minutes of Kendrick Lamar at the end of the night almost completely erased the memory of that grueling hour and a half that we spent waiting with fear for vaginas to finally emerge from beneath thinning mud. And we're not exaggerating, Kendrick really, really did it.

See also: Slideshow of Kendrick Lamar at Mana Production Village

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SZA Is Obsessed "Beyond Reason or Safety" with Music

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mocanomi.org

The day after Thanksgiving, we spoke with SZA, the Top Dawg Entertainment-signed songstress with an ethereal voice. She's intelligent, cool but not pretentious, easy with a giggle, and told us that all she'd eaten the day before at her mom's was collard greens --since she's a non-grain-eating vegetarian.

She's performing shows just about every day this week around Miami for Art Basel -- tonight, alongside her labelmate Kendrick Lamar at Mana, hosted by Flaunt Magazine, 3P Production, and Museum of Contemporary Art North Miami and she has a solo gig on Friday night at MOCA.

The New Jersey-bred singer's name is said like RZA, and also is formed with the supreme alphabet. But this songstress isn't just talking the talk, she was raised a hijab-wearing Muslim. There's about a million other interesting things about her, and we had the good fortune to ask her about a couple of them. We even uncovered a Bieber and Bjork related typo.

See also: Kendrick Lamar Tells Us His Favorite Love Song at Black Friday Festival (VIDEO)

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MOCA and Vanity Fair Party: Tracey Emin Draws Kevin Spacey and Huge Art Crowd

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Yes, we cut in front of the paparazzi to take a shot of Kevin Spacey posing with Tracey Emin. And what?

The black walls inside the Museum of Contemporary Art, North Miami are glowing and buzzing with Tracey Emin's work. Lines like "People Like You Need to Fuck People Like Me" and "My Cunt Is Wet with Fear" become iconic when emanating flattering light from delicate neon tubes.

We met Jay Thomas, an attendee at the opening of "Angel Without You" who wasn't familiar with Emin's work. He observed that the interior "looked like a bar," and that "this is what the inside of Twitter looks like."

After briefly meeting her, we can assume that the British art star would contest this crass assessment. But if you take a look at what's hanging on the walls, he's not totally off. Neon does often signify something's for sale, and there was a sexy bar vibe at MOCA last night that's not typical for a museum. Also, re: the Twitter comment, the neon-sculpted phrases were intimate and seemingly scribbled -- some poetic, some about anal sex. (Hey, why not?). And there were those works showing a pretty bird or -- in true Tweeter fashion -- a woman's uncrossed legs, revealing a glowing crotch.

Like the Internet, there was nothing boring about the show and everything emotional. But unlike the Internet, it felt warm, personal, and memorable.

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Basel 2013: Ten Best Parties

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Wu-Tang's Ghostface Killah, bringing the mayhem to Basel.

Who's ready to arty party?

Oh yes, you beautiful and brainy bastards, we're about to begin another edition of Art Basel Miami Beach week. But as we all know, four whole days spent wandering through exhibition after exhibition of world-class cultural artifacts just ain't enough. We also need four whole nights of getting drunk, hitting the mosh pit, and hump-dancing with strangers in some darkened corner of a pop-up party spot in Wynwood.

So here are the ten best (not private) parties during Basel 2013.

See also: Art Basel Miami Beach 2013 Party Guide

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Rakim at The Stage Miami During Art Basel 2012: A Video Recap

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Photo by Victor Gonzalez

Rakim
The Stage Miami
Friday, December 7

Better Than: Getting Paid in Increments.

It had been a long time since Rakim rolled through our hood prior to last night's performance at The Stage.
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Thurston Moore, Rat Bastard, and Kenny Millions Play Art Basel House Show (VIDEO)

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"Where's Thurston Moore?" This is the question we've been asking each other since the Sonic Youth frontman and South Florida native was first spotted at nontraditional art spaces around town this Art Basel. 

See also
Jellyfish Brothers' Janette Valentine: "I Like Slapping Wigs, Sailor Hats, and Tutus on Boys" 

He was in Miami to perform in honor of his late friend Kurt Cobain at the multi-disciplinary event, KURT. Thursday morning, Moore visited the art studio of Holly Hunt's Beatriz Monteavaro and Gavin Perry with Miami noise legend Rat Bastard. That night, he performed at the Gusman, a theater where his mom first saw Gone with the Wind. Then Friday night, word was Rat might be bringing Moore to the house show of Greg and Eddy Alvarez, two of the three that make up the Jellyfish Brothers

 And the rumors, well, as often rumors are, were true.


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Thurston Moore and KURT During Art Basel Miami Beach 2012

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Photo by Ian Witlen
Thurston Moore reading a poem "with Kurt in mind."
No one wrote "Kurt Smells Like Teen Spirit" on the wall.

Still, the Olympia Theater at the Gusman Center for the Performing Arts reeked, ever-so-slightly and not-so-literally, of sweaty punk armpits, greasy faded flannel, and the sweet stink of grunge.

Last night, KURT, "a multi-discipline exhibition and study of the late Kurt Cobain," crept into the 86-year-old ex-movie palace for a short intense evening of film, dance, talk, poetry, and music from multidisciplinary contemporary artist Adarsha Benjamin, bad boy choreographer Ryan Heffington, and L.A. musician Guy Blakeslee, as well as actual friend-of-Cobain and indie icon Thurston Moore.

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