Corey Bost Displays Unrelenting Honesty in His Debut LP

Last year, little-known singer/songwriter Corey Bost was going through a difficult time in his life, dealing with deep family issues and broken relationships. To cope, this lifelong Fort Lauderdale native penned five songs that eventually became his debut EP, Kingdom. With nonexistent promotion and no marketing arm, Bost's collection of melancholic and cathartic songs somehow landed on iTunes' new and noteworthy page.

It was a freak occurrence that brought this unsuspecting musician a bit of notoriety. "I was going through a shitty time in my life and wrote these songs and released them myself, not really expecting much," Bost told New Times while taking a break from his day job as community event organizer for local event and media company C&I Studios.

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Should We Look Forward to Pink Floyd's New Album?

Categories: Album Release

Sayre Berman

When news trickled out last week that Pink Floyd was releasing a new album in October titled The Endless River, you couldn't help but get giddy.

For at least two generations, the British band was the soundtrack for a simpler time when you could pontificate complex subjects like the meaning of their lyrics. Was "Us and Them" about people who have been turned on to drugs and those who haven't? And was "Comfortably Numb" about how society eventually domesticates us all? Most important, was Dark Side of the Moon really recorded to be in sync with The Wizard of Oz, right down to the heartbeats matching when Dorothy puts her ear to the Tin Man's chest?

Before getting too excited about more Pink Floyd, remember the year is 2014.

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Everymen's Capt'n Bobo: "I Am Living My Dream"

Categories: Album Release

Alexis Lawson

Lake Worth does certain things exceedingly better than the rest of South Florida, like how the area breeds hippies with uncanny efficiency. Between Tacos Al Carbon and Lupitas, Lake Worth's authentic Mexican cuisine game is untouchable. Also, the city has spawned and sustained a unique music community entirely its own, one that touts a small cavalcade of artists that are developing a sound for the area to call its own.

At the center of it all is Everymen, a group that fuses punk's ethos and energy with Americana sonic cues and traditional string music for a sound that's simultaneously fresh and familiar.

Between the band's unique sound and its peerless, high-octane stage show -- which features everything from athletic tricks with an upright bass to actual fire-breathing -- Everymen already conquered its locality. In addition, it spent the past few years touring the country tirelessly, earning a small but growing national following that is sure to expand with the release of a freshly minted full-length scheduled for fall release. We spoke with the band's frontman, Sergio "Capt'n Bobo" Witis, about the band's future, the new album, and the support and love of the area.

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Everclear's Art Alexakis: "I Miss Big Guitar"


Art Alexakis has worn many hats over the years: dad, political activist, and even actor. But the role we most enjoy the tatted up, white-haired singer in is as frontman of Everclear.

The guy who gave us rock radio hits like "Father of Mine," "I Will Buy You A New Life," and "Wonderful" is stoked about the upcoming album the group is wrapping up. It's so new it doesn't even have a name yet, but Alexakis promises the album will be the "heaviest" thing the band has put out in over a decade.

Alexakis, whose band ironically shares the same name as a ridiculously strong grain alcohol, will celebrate 25 years of sobriety this Saturday. Just two days before, he'll be in South Florida for the annual Summerland Tour, a fest bursting with '90s nostalgia that includes Soul Asylum, Eve6, and Spacehog. The night of heavy guitar riffs and raspy rock vocals takes place at the Pompano Beach Amphitheatre. Alexakis talked with New Times about the new album, the tour, his sobriety, and what he misses about the the decade that launched his career.

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The Drip Effect: "We All Love Rock and Roll and Each Other"

Categories: Album Release

Miles Kipper
Let's get drippy.
Take a listen to the Drip Effect. It isn't metal, it isn't indie rock, and it doesn't quite care. The band is more focused on creating something important to itself than keeping a consistent sound for the rest of the world. This refreshing approach to music has kept the group busy behind the scenes crafting their first release, Dinosaw.

Formed by two original Raggy Monster members, the Drip Effect already has the chops to rock a crowd and hold its own. In fact, the quality of the act's live show and keen stage presence are at the top of its list of things to kick ass at. With a solid show in the bag, the band is now focused on showing off its favorite jams.

Before the official album release, we chatted with the Drip Effect about how the group got its start, why it was forced to change the band name, and what beer you should be drinking next time you catch a show.

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Killbillies Bring a Full Band to Bamboo Room Album Release Party

Categories: Album Release

Wibada Photo
Not Uma Thurman
It's probably safe to assume that Palm Beach County's bar-lovin' patrons have two things in common: They like to have a good time and they have seen the Killbillies live. This talented band makes its living crafting songs that stick in your head and put on live shows that demands attention -- all while you consume an adult beverage. There is no arguing with the fact that the band hase become a major staple on the local bar scene, and it's not by accident -- it's because people like the Killbillies.

With a solid foundation already in place, it's kicked things up a notch this past year. New members and new songs mean its stage presence evolved and that got people talking. With Palm Beach County in the palm of their hands, the guys are looking towards the future and that means they are serving up new tunes.

The Killbillies are about to release Transplant Life, their new raucous gift to the world, but not without putting on a show. Before their new CD release party this Friday, we spoke with lead vocalists/multi-instrumental players Ben Childs and Micah Scott about why they love playing drums with their feet.

See also: West Palm Beach's the KillBillies Head on Tour, and They'll Let You Stalk Them All the Way to Vermont

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Primitive Violence's Jean Saiz Packages Pocketknives in Cassette Releases


Jean Saiz is without a doubt, one of South Florida's leading ladies of rock. Her band Shroud Eater has steadily gained an envious momentum in the short time that they've been shredding faces and melting hearts. A talented and accomplished artist, Saiz has added yet another area of expertise into her CV with her fledgling Primitive Violence Records and Visual imprint; which like all her projects, she tenderly dotes over with a caring hand.

Borne out of necessity for Shroud Eater's early recorded products, Saiz has continued to forge on beyond her band with the label. Hers is a boutique approach that harkens back to the incredibly detailed and intimate (read: limited edition) releases of the '90s noise and power violence scenes. Its latest release is Forest of Tygers' album, Bruises. We had a chance to discuss the label with her as well as the legalities of including a knife in the release.

See also: Shroud Eater's Jean Saiz and Janette Valentine Put Metal in Its Place

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Heady & Sullen Debut EP Is a Testament to Their Undying Love


Ariel Vega is no stranger to our New Times readership. As the drummer for the Honeysticks in the '90s, he helped pave the way for the alternative sounds of South Florida today. An eternally busy musician with live tried-and-true chops and a penchant for creation within the studio and session setting, his latest musical endeavor involves his wife Tammy Fons, an accomplished and classically trained pianist.

Under the name of Heady & Sullen they're releasing a debut four-song EP replete with atmosphere and melody. Formed by their different backgrounds but catapulted into creation by a symbiotic link, their music is lofty and baroque and full of love without the aegis of cliché.

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Sunny Devilles Make Hip-Hop Influenced by Bob Dylan

Robert Garcia
It's always sunny.

How do you hip-hop? If you are Tanner Kauffman and James Bauer, you experiment. Together they make up the Sunny DeVilles, the Boca-based hip-hop act who's spanking new album In Search Of... is just the beginning of their journey. The record is laced with heavy lyrics and saxophone grooves, quite the opposite of today's mainstream rap chart-toppers.

Tanner and James operate on their own level, uninfluenced by the sometimes limited hip-hop scene surrounding them. Recently, the Sunny Devilles released their album into the world with a CD release party at UNIT 1 in Lake Worth. The artsy conditions, constantly running video projector, and lack of a stage meant their performance was straight up in your face. An experimental experience, their stage presence perfectly compliments the In Search Of... vibes. The record is a winner, but what about the guys behind it? We took the time to chat with Tanner and James about how they met, what they listen to, and why you should care enough to give a listen.

See Also: Unit 1 Hosts Art by Juan Doncel and Record Release Party for the Sunny DeVilles

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Mike Mineo's Big Big Star Merges Acoustic with Electronic

Categories: Album Release


In an area like South Florida, so chock-full of talented musicians, it's really hard to stick out. But Boca Raton's Mike Mineo has made a name for himself, not only with his deft songwriting skills, but more importantly, with a drive and determination we don't see too often in local artists. This dude has gigs almost every night of the week, and he's proven prolific too, putting out four ace albums in the last four years.

He's been on our radar for awhile now -- we did name him the Best Male Rock Vocalist after all. And Mineo just keeps on keeping on, impressing us again with his most recent release, Big Big Star. The record, out earlier in the month, shows a bit of a change of direction from Mineo's sunny singalongs. There are touches of Afro-pop a la Vampire Weekend (i.e. the album's title track) and you'll find songs, like opener "Lucid," tearing a page from James Blake-style acoustic guitar strums with flourishes of minimal digital accoutrements.

Overall, the album delves much more into electronic realms than any of Mineo's other works, mainly because it's the first album he's recorded using the DAW (Digital Audio Workstation).

"I was able to just take my time and get creative and experiment with different production techniques," said Mineo in a recent interview with County Grind.

See also: Mike Mineo Talks American Idol, "Hipster Chicks," and "Nipple Clips"

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