DJ Shadow and XXYYXX Brought Experimental, Evil Beats to Wynwood's III Points Festival

Categories: Festival Days

DJ_Shadow_Concert_Review_Photos_Miami_2013.jpg
Photo by Ian Witlen
Check out Crossfade's full 51-photo slideshow from III Points Festival Day One.

Back in December, DJ Shadow had kind of a weird experience in Miami.

He took the booth at Mansion, just to be kicked off for not playing enough big-room house music. It's been this great thing for hipsters to lament and bitch over, but with the inaugural III Points Festival, the music geeks got their revenge.

"It was never about me and the city," Shadow said, introducing himself, "it was about me and like five people. Now, I'm here DJing this for you, and by the way, there's no laptop here."

See also: DJ Shadow Kicked Off the Decks at Mansion Miami, Just Like Dennis Ferrer

pornobus.jpg
Photo by Ian Witlen
Check out Crossfade's full 51-photo slideshow from III Points Festival Day One.

Nothing was "too future" for the fans at III Points, who spent their time before Shadow's performance hesitantly grooving to the sounds of Fortune Howl and the Relief in Abstract label crew or meandering about the bars or art installations that lined the Sound Stage at Mana Wynwood.

The art was pretty wacky in the best way possible. In one corner, the sexually ambiguous Immamess danced the wild siren. There was a large pile of dirt, a trippy room for having your face painted, a random living room scene, a bunch of Slurpies on the floor, and a disgusting bus converted into a chill spot complete with dirty couch and hardcore porn playing on an old television. Basically, you should have been on acid.

But as soon as DJ Shadow took the mic, the bodies huddled together on the dance floor to witness redemption. He went straight into the dark stuff, hitting us hard with gnarly hip-hop-inspired beats. It was like a trap-house set that hasn't been marred by repetition and shitty commercialization.

Shadow was barely visible from the front of the stage. He hung his head low over his equipment, obscured by flashing images of trippy boomboxes and gyrating ass jelly. But from the side, you could see his hands furiously beating out the rhythms. It was a constant deluge of bass and sweat.

See also: James Murphy and Jamie XX Make the Too-Cool Kids Dance at Wynwood's III Points Festival


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